Brazil that Prepares

Culture that values our roots

less concentration, more Brazil in culture

Proposes preserving historical centers, works and collections, valuing Brazilian traditions and improving the incentive laws to favor other regional hubs and artists with little visibility.

In the program: [p. 41] · Translated by Flaviopédia from the official Portuguese text; the Portuguese quote is authoritative. Read the original in Portuguese

What the program says

Brazil has a unique formation. Racial mixing and the building of a country of immigrants and multiple cultures are reasons for pride, and it is this memory that we will celebrate, with the preservation of our historical heritage, from the historical centers to the works and collections that tell who we are, today deteriorated through lack of care. In Culture, we will value Brazilian traditions and improve the incentive laws, correcting distortions and favoring the development of other regional hubs. In this way, we will reach artists of great artistic merit but little visibility, today forgotten by the current model. We will bring art close to the public across the country, without subordinating it to political agendas, guided by transparency, freedom of expression and the distinction between culture and commercial entertainment. [p. 41]

In plain language

  • The text cites racial mixing and the country’s formation by immigrants and multiple cultures as a reason for pride and proposes preserving the country’s heritage, from the historical centers to works and collections, which according to the text are deteriorated today.
  • It provides for valuing Brazilian traditions and improving the incentive laws, correcting distortions and favoring other regional hubs, to reach artists the text describes as having great merit and little visibility.
  • It proposes bringing art close to the public across the country, without subordinating it to political agendas, with transparency, freedom of expression and a distinction between culture and commercial entertainment.

What is not in the program

  • It does not say which incentive laws would be changed or which distortions would be corrected.
  • It does not define criteria for identifying the other regional hubs or the artists to be reached.
  • It does not detail how the distinction between culture and commercial entertainment would be applied.
  • It does not state the cost, funding source, targets or timelines for preserving heritage and the other measures.